I saw Into the Woods last night. It was incredible. I was already a huge fan of the original musical, and while there were a few incidental changes, the movie did an excellent job of portraying the characters and exploring the complex, abstract themes in Sondheim’s original.
I could write a whole book on those themes and the way Into the Woods explores them. Maybe this’ll turn into a series of posts, or maybe I’ll get distracted by the weekend and never touch the subject again. Who knows. But anyway, the aspect of Into the Woods that I want to talk about in this post is how Into the Woods compares and contrasts to another Disney favorite of mine, Tangled. SPOILERS for both are ahead.
Into the Woods‘ Rapunzel arc and Tangled both tell the story of a young woman who’s spent her life hidden away from the world by a singing witch inspired by Bernadette Peters. Continue reading “Tangled Woods”→
Last week I begged Persephone to return from the Underworld so Demeter would end the polar vortex. After some beseeching, I said that the people of Earth would continue uploading covers of “Let it Go,” Queen Elsa’s epic showstopper from Disney’s Frozen. Well, on Sunday, I woke up to freezing rain, which later turned into snow. So this happened. Idina Menzel I ain’t. I’m barely Adele Dazeem. But here is my goddess-trolling humble offering.
In case you have no children or internet (how are you reading this post again?) and thus haven’t seen the original version of this Oscar-winning anthem, here you go:
In news related only in the sense that it involves me putting things on the internet, I have a Facebook page now. It’ll feature all updates from this blog, some links from my other social media, and random stuff that I find interesting and relevant and think my readers might, too. It’ll also feature updates about Thalia’s Musings, of course, although there’s still the Thalia’s Musings Facebook page for that. So, if this sounds like something you want in your news feed, go forth and like!
But today I’m fangirling about StarKid’s latest production, Twisted: The Untold Story Of A Royal Vizier. It parodies both Wicked and Disney’s Aladdin, as indicated by the promo poster. It’s as affectionate and irreverent a parody as any of StarKid’s other works. Ja’far (not to be confused with the copyright-protected Jafar) gets the Elphaba treatment as the virtuous scapegoat for all the kingdom’s problems. His “scheming” is really applied poli sci, his “sorcery” is advanced science, and his “evilness” is a desire to rid the streets of criminals who steal bread from simple hard-working bakers. He also shares an unexpectedly poignant romance with Scheherazade of One Thousand and One Nights fame. Aladdin, tragically orphaned at 33, is a perfect satire of a douchy hipster trustfund baby who’s too cool to work for a living like everyone else. The Princess is every 16-year-old rich white privilege-checking Social Justice Warrior on Tumblr who dreams of saving the world but has a lot to learn about how it actually works. Since her name is never mentioned, I’m sure she is not the licensed Disney Princess Jasmine.
Want a quick sampler? Watch the opening number, with its profanity-laced classic Disney-style crowd song (the villagers do not greet Ja’far with “Bonjour”):
Or the balcony scene, which references pretty much every Disney moral panic conspiracy theory of the 90s:
Or this title-dropping gallery of Disney’s most fabulous villains: