Netflix’s Marvel’s Daredevil

I want to preface this review by saying I know virtually nothing about Daredevil lore. I know there’s Daredevil and he’s blind and lives in Hell’s Kitchen and his girlfriend is Sydney Bristow whose alias is Elektra and that’s pretty much it. I never saw the Ben Affleck movie. All my knowledge thereof comes from riff reviews like this one.

But, like billions of other nerdy pop culture consumers, I’m loving the new Marvel era, and I’ve enjoyed several of Netflix’s original series, so I had high hopes for this one. My hopes have been rewarded.

Our hero, Matt Murdock (Charlie Cox), is indeed a blind man headquartered in Hell’s Kitchen. He protects his innocent neighbors as a defense lawyer by day, and masked vigilante by night. He’s the son of a boxer who supported his family by taking falls in the ring. It’s every bit as noir as it sounds, and yet the show still injects just the right amount of optimism and levity to keep from feeling overwhelmingly bleak.

Murdock’s blindness is handled pretty well, imo. The same accident that took away his sight heightened his other senses, which is how he’s able to pull off his vigilante stunts. The scenes highlighting his superpowers do a great job of showing that he’s relying on senses other than sight. The staging and effects let us inside Murdock’s head where we feel him focus on the sound of a faraway cry for help, or the vibration of an attacker’s footfalls. Yet his lack of sight still comes across as a legitimate handicap; something that, as a disabled viewer, I feel is important to acknowledge in-story.

As of the second episode, Team Daredevil includes Foggy Nelson (Elden Henson), Murdock’s pragmatically materialistic law partner; Karen Page (Deborah Ann Woll), Murdock’s former client and current office manager who I’ve since learned is a canon love interest; and Claire Temple (Rosario Dawson), a Night Nurse who saves Murdock when he’s injured in a vigilante mission. Everyone in the cast inhabits their roles perfectly, and there’s a strong chemistry between the characters.

So far I only have one nitpick with the show. In a scene in the pilot where Murdock and Foggy are interrogating Karen Page, Murdock concludes that Karen’s improbable story is true because he hears her heart rate remain slow and steady while she’s telling it. In this scene, she’s also traumatized, stressed, crying, and in emotional and physical pain. It strikes me as totally reasonable for a person under those circumstances to have an elevated or irregular heart rate even if they were telling the truth, especially if they were stressed about being accused of lying. In real life, lie detection technology isn’t considered 100% reliable for exactly these reasons.

However, one problem with one scene isn’t enough to keep me from enjoying this show. If you’re a fan of the Daredevil comics, I don’t know what to tell you, but if you’re a fan of film noir, TV crime dramas, and the new Marvel cinematic universe, you should definitely check this out. All 13 episodes are currently streaming on Netflix. Here’s hoping life and my internet connection will finally let me binge-watch the rest of them.

Presidential campaign announcement (SRS BSNS)

That glorious season is upon us (in the US, anyway). The time when people officially announce that they will be running for president in a year that is not this year. So, without further ado, it is with proud humility that I share with you the glorious purpose with which I am burdened.

I am running for President in 2020.

Why 2020? Because the President of the United States has to be at least 35 years old, and by November 2016, I will only be 34. Plus, this gives me plenty of time to start building my PAC. So far it’s up to $5.28, and I might use that to buy paper towels instead.

I suppose you’ll want to know paltry details like what party I’m running for. It’s a lesser-known third party called Thalia’s Representatives Of Liberty and Lulz, more commonly referred to by its acronym, the TROLL party.

My platform will be platform shoes. They’re coming back in style. Skechers and Doc Martens are both being considered as campaign sponsors.

I will participate in any televised debate that does not actively bar me from the stage. My debating tactics may or may not consist entirely of repeating, “u mad bro? u mad?” to my opponents. Depending on how well the PAC comes through, a Trollface mask made of poster board and a paint stirrer may be involved.

However, given that the lamestream media is a puppet of the two-party lameocracy, it is likely that my campaign will be limited to internet outlets such as YouTube, Facebook, Twitter, Tumblr, Instagram, Pinterest, and this humble blog. Follow me on all of the above for more updates on my valiant write-in campaign.

amethystforprez

See you at the polls! Write-in the TROLLs! Do it for teh lulz!

Olympus: Green Screen, Red Corn Syrup, And Blue Feet

Hey, did you know Syfy has a new drama set in mythological Greece? No? Me neither, until my parents texted me while they were watching WWE on Thursday night and said I’d probably like this Olympus show that’s coming on afterward. I’m glad they did, because I had a great time watching the pilot, and I’m looking forward to the rest of the season.

This post’s title is an accurate description of the show’s production value. (As an indie author, I know all too well how much people LOVE sinking money into weird Greek mythology adaptations.) It’s tempting to throw Olympus into the “so bad it’s good” category, where I lovingly store many of my favorites, but the female lead and the villainess make this show unironically fun to watch. olympus The Oracle of Gaia, played by Sonya Cassidy (whom BBC fans may recognize as Clara from The Paradise), has divine visions that don’t always come when she needs them to, so she’s learned to appease her petitioners by becoming a master of deduction. This, imo, should be the entire premise of the show. I have dubbed The Oracle #GreekSherlock. She’s resourceful, rational, dramatic, and prone to complicated schemes that can snowball into something way more complicated than she foresaw (damn uncontrollable visions).

And somehow, #GreekSherlock is not our designated hero. That role falls to our male lead known only as Hero – or Mercenary, or You There, or whatever the other characters decide to call him, since saying his name aloud will turn the speaker to stone. He has an intricate backstory that literally makes him the MacGuffin. He gets his feet painted blue for reasons that still aren’t entirely clear to me. He’s a valiant warrior who can kill people with rope. Ultimately, though, he’s there to be eye candy (a role newcomer Tom York fills quite well) while #GreekSherlock steals the show. So basically he’s a Moffat woman.

But the biggest show-stealer of them all is Olympus‘ Big Bad, Medea (played by Sonita Henry). She’s resourceful, rational, dramatic, and prone to complicated schemes that she’s usually completely on top of unless Fate throws her for a loop. As the evil personality counterpoint to #GreekSherlock, I have dubbed her #GreekMoriarty. (Except Hero is her ostensible nemesis, so I have no idea if she and #GreekSherlock will ever officially acknowledge each other.) Medea’s portrayal goes beyond pure camp, although there’s plenty of that. She comes across as clever, in control, and legitimately dangerous. And (SPOILER?) it looks like she has designs on goddesshood. I sort of want to see that.

I think there were a bunch of other people, too. But as far as I was concerned, it was all about #GreekSherlock and #GreekMoriarty.

So, anyway, if you’re looking for Game of Greek Thrones, you’re not going to find it here, but if you miss Xena and Hercules, you’ll have as much fun with Olympus as I did. Check it out on Syfy on Thursday nights at 10/9 Central, or stream full episodes here.

The March Family Letters: Little 21st Century Women

Click to go to the official website

I was eight years old the first time I read Little Women. I fell in love with the Marches and identified with all four sisters in different ways. I was a writer and loved adventure and couldn’t manage to do what was expected of me like Jo. I was the oldest and could be too cautious and practical for my own good like Meg. I was quiet and withdrawn and loved music like Beth. I was artistic and used words people didn’t understand and was never taken as seriously as I took myself and totally had a thing for Laurie like Amy.

I’d go on to revisit Little Women  and its sequels throughout the years. I learned more about the historical context of the book. The Alcott family’s involvement in Transcendentalist, bohemian circles. Louisa May Alcott’s first-wave feminism. All of this just made the book more fascinating to me. Age and distance have made some of the book’s imperfections more noticeable, but it’s one of those childhood loves that will always have a special place in my heart.

Despite all this, somehow the existence of The March Family Letters escaped my knowledge until this month. To be honest, I was more apprehensive about this one than any of the literary webseries I’ve watched. There are so many ways a modern Little Women could go horribly wrong. Would Jo be a straw feminist or a misogynist? Would Meg be an unsympathetic killjoy in the tradition of grouchy sitcom wives? Would Beth be a Purity Sue, canonized by virtue of disability? Would Amy exist to remind the audience that being a girly girl makes you a terrible person, or at least a really shallow one?

Don’t worry, my inner voice whispered as she wrapped me in a blanket and brought me some hot chocolate. It’s being distributed by Pemberley Digital. Click the playlist.

OMG I CAN’T EVEN TELL YOU HOW OBSESSED I AM WITH THIS SHOW. Continue reading

Thalia’s Musings 4 update

Hey, everyone! Just wanted to let you know that I haven’t dropped off the face of the earth, and that I’ve started drafting the fourth and final volume of Thalia’s Musings.

Thalia's Musings

Image © 2012 Amethyst Marie

I’ll keep you posted with progress reports, release date estimates, etc. as I go. I want to get this volume to you guys as soon as possible, but I also want to make sure I give it the time and attention to detail it needs. Thalia is, after all, the Goddess of Happy Endings, so her series deserves the best ending I can give it. Looking forward to sharing it with you!

Tangled Woods

I saw Into the Woods last night. It was incredible. I was already a huge fan of the original musical, and while there were a few incidental changes, the movie did an excellent job of portraying the characters and exploring the complex, abstract themes in Sondheim’s original.

I could write a whole book on those themes and the way Into the Woods explores them. Maybe this’ll turn into a series of posts, or maybe I’ll get distracted by the weekend and never touch the subject again. Who knows. But anyway, the aspect of Into the Woods that I want to talk about in this post is how Into the Woods compares and contrasts to another Disney favorite of mine, Tangled. SPOILERS for both are ahead.

Meryl Streep as the Witch, Mackenzie Mauzy as Rapunzel. Image via Teaser Trailers.

Into the Woods‘ Rapunzel arc and Tangled both tell the story of a young woman who’s spent her life hidden away from the world by a singing witch inspired by Bernadette Peters. Continue reading

Agent Carter: Can I be her already?

You remember Agent Peggy Carter from the Captain America movies, right? And you know ABC gave her her own miniseries and scheduled it during Agents of S.H.I.E.L.D.‘s winter break, right? And you saw its two-episode premiere last Tuesday because all of my readers live in the US and structure their lives around TV schedules, right? What??? OMG you aren’t hooked on Agent Carter yet??? Well, read on! I promise this won’t be too spoilery.

My biggest question about Agent Carter was whether it would feel more like a spin-off of the Captain America movies or the Agents of S.H.I.E.L.D. television series. The answer is both and neither. Like any of the individual series under the Avengers umbrella, Agent Carter draws from the franchise as a whole, but maintains its own distinct feel. And if you like a 1940’s aesthetic with a James Bond storyline, that feel is pretty freakin’ awesome.

One of my favorite things about Agent Carter is how it lets Peggy fill the Bond role while looking like a Bond girl. There are times when Peggy switches out her skirt suit for a pair of slacks, but she’s always got her perfectly-coiffed curls and her signature red lipstick. Do I think any of this should be a social requirement for real women in the real world like it was in days of yore? No and no. Is it how my fantasy self would be attired in my self-insert pulp fanfic? So very much yes.

Peggy’s aesthetic suits her character, imo, because it’s one that requires a lot of effort, skill, and control; all traits we see her display in the field. Peggy is always in charge of whatever situation she’s in, whether her superiors realize it or not. Tell her to bring coffee, and she’ll gather all the intel from your top-secret meeting. Give her a sick day for “ladies’ problems” and she’ll work that case and find the MacGuffin in a disguise that has all her spy colleagues fooled.

Every good comic book hero needs a sidekick, and Peggy’s will be familiar to Iron Man fans: Howard Stark’s butler, Jarvis (not to be confused with Tony Stark’s computer system). There’s no will-they-or-won’t-they tension between this dynamic duo, as Peggy isn’t over Steve Rogers, and Jarvis is steadfastly devoted to his unseen wife. Clearly he knows Mrs. Jarvis is the greatest good he’s ever going to get. Jarvis’ deadpan insistence on providing hero support is a perfect foil to Peggy’s obligatory insistence that she doesn’t need it.

Hayley Atwell as Agent Peggy Carter; James D’Arcy as Edwin Jarvis. Image via Ace Showbiz.

Well, “obligatory” isn’t quite fair, since Peggy’s adamant independence is more than justified in-universe. She works in an environment where she has to prove herself twice as good as her male colleagues to earn half the respect. Jarvis recognizes this, and when he informs Peggy that he’s there to stay, he makes a point of saying that all heroes, whether male or female, need support, just like Captain America did when Peggy and Stark were providing it for him.

Which, imo, sums up the best thing about Agent Carter. In the first Captain America movie, I really wanted to love Peggy, but I mostly felt like she was an under-utilized character with great potential. For all her informed awesomeness, she was essentially just The Love Interest. The faded photograph that the real hero looked to for inspiration. In Agent Carter, their roles are reversed. Now Steve Rogers is the faded photograph, and Agent Peggy Carter is the lone hero in red, white, and blue.

And pumps, nylons, and red lipstick.

Agent Carter airs on ABC on Tuesday night at 9pm/8pm Central. You can watch full episodes online at ABC.com.